| 1. | Preface |
| 2. | From the Ridiculous to the Sublime |
| 3. | In Search of Sacred Space |
| 4. | One Approach to Improvisation (or) Possible Perceived DNA of All Music |
| 5. | Short Time, Long Time, Short Time, Long Time |
| 6. | How Nino Rota Saved Me from a Subterranean Freakout |
| 7. | Places in My Music/My Music in Places |
| 8. | Colour Talk |
| 9. | Tachitipo: The Living Passport |
| 10. | shards of ether |
| 11. | Anatomy of a Big Band |
| 12. | Ranting and Ruminating on Rhythm |
| 13. | A Flickering and Thickening |
| 14. | The School of the Road |
| 15. | Peripheral Dromes |
| 16. | Suite #7 |
| 17. | A Brief History of the Piano-Percussion Quartet |
| 18. | The Vibraphone in the Music of John Zorn |
| 19. | Deep River...But How Deep? |
| 20. | "Venit Illuminatio" -- A Process Notebook |
| 21. | Thoughts on Compositional Strategies |
| 22. | A Means of Production |
| 23. | A Mentor |
| 24. | Music and...Football |
| 25. | Where I'm A |
| 26. | Shapes |
| 27. | Influences |
| 28. | Tomeka Reid Interviews Diedre Murray |
| 29. | The Flexible Role of the Bass |
| 30. | Unlimited Musings on Connection, Consciousness, Inspiration, and Purpose |
| 31. | Art Imitating Life |
| 32. | Lockwood's Piano |
| 33. | Statement on Technology and the Future of Music |
| 34. | Engineering New Music |
| 35. | About the Musicians |
| 36. | Recommended Listening |